Sometimes inner guidance sounds more like a whisper than a growl. It might stalk you from behind a flowering Camellia bush and distract you with red blossoms. It might tap you on the shoulder and then run away. It may wonder how many times or in what ways it needs to tell you the same thing before you’ll take its advice. But if your inner guidance is anything like mine, it will be patient—and it won’t give up until you receive its message. It will attract a variety of experiences designed to help you, though you may interpret them as obstacles instead of opportunities.
Even before reading Brooke Warner’s Green-Light Your Book, part of me—the part I consider my Wise Self—wanted to publish my memoir with She Writes Press. As I read Brooke’s book, my conviction only deepened. The problem was, another part of me, the one I’ve come to know as my Insatiable Ego, threw a temper tantrum and demanded external validation in the form of a traditional publishing deal.
Meanwhile, I devoured Brooke’s book, which I read twice, all the while nodding my head in assent, my gut resonating with empowering messages about creative partnership, sisterhood, and more.
I listed the pros and cons of publishing with She Writes Press in my journal. My enumeration of pros was long—a download from my Wise Self. The cons consisted of two demands and perceived needs: conventional compensation (payment) for my writing in the form of an advance and royalties, and a yearning for legitimacy as an author. “Legitimacy is an inside job,” my Wise Self said. It also reminded me that the financial picture under the traditional model isn’t so clear-cut anymore, especially with traditional publishers cutting secret hybrid deals and authors in both camps having to pay for publicity. “Besides, this isn’t about money for you,” my Wise Self said.
That was June. I completed my memoir a couple months later, but wasn’t ready to sign with SWP or to shop it elsewhere. I was in limbo.
In October, my memoir serendipitously fell into the hands of an agent who read my manuscript twice and seemed eager to discuss my book with me. Our conversation left me frustrated and confused, however. The gist of her feedback was that my book was fantastic but not right for traditional publishing. She had a whole host of reasons why, and over the course of the conversation told me that my book was too good for traditional publishing. What did that even mean? The upshot of this interaction was that I sent my book to two readers. The first said, “I’m sorry to say I am not the right reader for you.” The second, Gayle Brandeis, a writing professor and award-winning author of Fruitflesh: Seeds of Inspiration for Women Who Write and other books said, “I love this book, and as a writer/dancer/seeker who has struggled with the swing between self-doubt and grand dreams—resonated with so much of it.” She told me that I wrote with honesty and heart and offered a couple constructive suggestions for improvement. Gayle’s comment about self-doubt and grand dreams struck a chord. When I followed up and asked her if the central problem in the story was clear, Gayle said, “The problem felt very clear to me: anxiety and your desire to heal it (even before you knew what it was) seemed to be at the heart of everything in the book.”
I was grateful Gayle “got it” and also for her succinct articulation of my memoir’s spine. But I was confused to receive such different responses to my work. Months earlier Brooke had said the book was done. We had discussed beta readers. “Won’t everyone have their own opinion?” I asked. “Couldn’t that be confusing?” Her response was “yes” to both questions.
My next step—publishing—nagged me. I know many authors who take the time to get feedback from multiple beta readers. And most of the SWP authors I’d spoken to had shopped their books to agents and publishers before choosing partnership publishing. Others, like SheWrites.com co-founder, Kamy Wicoff, turned down a traditional publishing offer from one of the Big Five after she ran numbers and believed she’d make out better financially publishing with SWP. But even she’d made the effort to shop—and she was a co-founder in the press with Brooke. Aside from Brooke, a publishing expert, none of the authors I’d spoken to had gone directly to SWP without shopping elsewhere. Was I crazy for wanting this? Did this mean I was giving up on myself or on my writing? Or, could my resistance to signing with SWP be an opportunity to heal old, destructive thought patterns? Maybe. Probably.
In November, I learned that the SWP author retreat was opening its doors to five members of the She Writes.com community. I jumped at the chance to go, and the experience didn’t disappoint. Brilliant women authors, a gorgeous desert setting, a lovely resort, and stellar author education provided a delicious experience filled with camaraderie, learning, and fun. How many publishers do this? None that I’d heard of! It was wonderful, but my prickly ego still wasn’t ready to sign with SWP. It was holding out for an old fantasy of traditional publishing, dangling a carrot beneath my nose. The problem was, I didn’t want to shop my book.
I told myself to be patient. The answers would come. I’d figure it out after the holidays. Maybe then I’d rally around the idea of shopping my manuscript. SWP was an excellent backup plan. I knew if I shopped my book, I’d have to crank out a new proposal. I’d already written a hundred-page proposal prior to writing my memoir. Agents complimented the writing, but tried to pigeonhole me in a way that felt off. At the time, I stopped shopping my proposal and wrote my book instead—with Brooke’s help.
The holidays came and went. I enjoyed a much-needed family vacation in Cancun. I am rested. I’ve had time off, yet I still don’t want to shop my book! I thought this might change with time. It hasn’t. “How long should I shop my book?” This is a question Brooke often gets. Her answer to me was, “How much rejection can you take?” To be honest, I don’t want any right now. I’ve had my fair share. Perhaps I seem like a wuss for not wanting to deal with the rejection shopping entails, but it also takes strength and courage to green-light your book. To say yes to yourself. To ignore the illusion that there’s one right way to publish. Or that one way is the way. Or that our value stems from what we do or achieve rather than being inherent to who we are. We are all worthy. We are all valuable. What I want from publishing is a positive, rich experience. I want to share my work with those who might find it helpful. And move on.
The root of the word author is “authority.” Authors have to be authors of their lives and careers as well as their stories. It is not enough to know what we want. Receiving clear inner guidance, as precious as that is, is one thing, but acting on it is something else. For months everything in my life had been pointing toward SWP, and yet, I hesitated. I lacked the courage, faith, and conviction to trust my inner guidance. I’d been digging up the same pile of bones only to bury them elsewhere in the back yard of my psyche. Well, I’m tired and I’m done with that. It’s time to go with my gut. The stomach has more nerve endings than the spinal cord; it’s known as the second brain. The heart too is an excellent guide. And mine has been murmuring “She Writes Press” for months.
As I write this, I realize my New Year’s resolution is to continue extracting myself from my ego’s gnarly claw and live in the subtle, yet radiant inner guidance provided by my Wise Self. Have you heard the expression “Let go or be dragged”? It’s 2017 and I’m letting go of old, outdated fantasies and moving forward with real-world opportunities. I’m saying “yes” to the dream of bringing my book into the world and ignoring old “shoulds” about how this is supposed to look. I’m going to sign with She Writes Press, and as I write this, I realize this is a victory for me on multiple levels. Many trails have led me to these people and this press, and I am grateful to have found fellow hikers—literary soul mates.
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